The end of one project, the start of many

Well, it took me longer than I thought it would, but I finished the new draft of Inventing Vazquez on Sunday. I think this version is getting close to the final one. I still need to go over it again and do another round of wordsmithing, fact checking, and tweaking, but I think the major changes are done. At least, I hope so. I’ve got two test readers this time, and I’ll be holding my breath to see what they think.

It’s an exciting time. Not only because I’m a step closer to completing Inventing Vazquez, but because I now have some time to do other things. As is my habit when finishing a draft, I’m shelving it for a month so I can look at it with fresh eyes in January. And in the meantime, I’ve got lots of free time, mostly because I have a lot of days off I have to burn through at work.

So I’m planning to do several things starting this Thursday. For starters, I’m going to start compiling a list of literary agents, and start prepping the query packages. I really hope that, with the groundwork I’ve already done with Solstice, with my web site, with the book reviews, and the on-the-side writing projects for Quiet Earth and Urban Molecule, I’ll have a better shot at landing an agent. Well, that, and I genuinely think Inventing Vazquez is a better novel with much better writing. Plus it’s funny, so at least I won’t be turning off agents with my “My novel is about the end of the world!” approach! ^_^;

I’m even more excited about the writing projects I have lined up. I have three: The Mourning Syndrome, Electing Choi (the sequel to Inventing Vazquez), and an untitled dark comedy project I’m considering. Since I can’t work on all three at the same time, what I’ll be doing is outlining each, and see which one I feel most enthusiastic about. My guess is it’ll be Electing Choi, because The Mourning Syndrome is depressing end-of-world fare, and I’ve really enjoyed the zany, free-spirited writing style of Inventing Vazquez. But the third project, a sort of road-trip narrative, has its appeal, and so I’ll map it out and see if it’s a viable project at this time. I guess, as long as I can be zany and whimsical, I’ll be happy.

So that’s all, right? Well, not really. ^_^ I’m still trying to form a punk rock band, and I might be a step closer to doing so. I’ve been in touch with a guitarist who’s moving to Detroit tomorrow, and we may jam this weekend to see if we can work together. I have high hopes, because we’re the same age and have very similar musical tastes. If we decide to start the Pineapple Brigade together, then we’ll just need a drummer and a singer, hopefully female. In the meantime, I’m still writing songs. I wrote two new songs over the past couple of weeks, deciding to just have fun and write the kind of jumpy, melodic tunes I like. Wish I could sing, but oh well, what can you do? ^_^

So that’s all, right? I mean, between researching literary agents, starting a new book (after outlining three separate projects), maybe starting a band, and writing more music, I should be pretty much booked up, right? Well, leave it to me to want to squeeze in another thing into my schedule ^_^;

While it’s still in its “I have a goofy idea” phase, I’m thinking of starting an e-zine. Something completely random, humorous, and observational. Something that’ll discuss politics, popular culture, not-so-popular culture, music, and technology. Ideally, I’d like to get together with my friends and publish regular articles, but I haven’t discussed this with anyone except my girlfriend yet. In any event, it’s still in its pre-pre-pre-planning stage, but I think it’d be something cool to do. And I think I already have a name for it. What is it? Something named after one of my favorite Polysics songs ^_^ That’s all I’ll say for now.

Anyway, December should be an interesting, fun, and busy month. And, oh, isn’t there some kind of holiday or something toward the end? ^^;

Turning 15 Again

So I get to blog about something other than writing again. Hmmm, the last time I did so, it was to write about a Polysics show I went to here in Detroit. And now, it’s to write…about the Polysics show I went to this last Saturday ^_^

For those of you who don’t know, Polysics is a four-piece band from Tokyo, Japan who can best be described as Devo with a distinct infusion of Japanese quirkiness. Their music is catchy, wild, and all over the place, with synthesized blips and beeps complementing mad guitar riffs and crunching bass lines while the singer, Hayashi, sings about everything from peach pies on the beach to digital coffee.

Well, they played here in Detroit on Saturday, and I was reminded of why I fell in love with them in the first place. They are, simply put, the best live band I’ve ever seen. It’s inspiring to see musicians throw themselves so completely into their performance. Hayashi is a madman on stage, jumping all over the place, screaming his lungs out, playing his guitar like his life depends on it. Fumi, the bassist, jams along with grit and bounce, plucking away at her red Yamaha and seemingly loving every minute of it. Kayo, the keyboardist extraordinaire, is the stoic, quiet, comic one in the back, the one who never cracks a smile, not even as she’s jumping up and down waving pompoms at us during “Peach Pie On The Beach.” It’s an awesome ensemble of musicians playing a brand of music that’s infectious, powerful, and outright quirky.

So why am I gushing over Polysics like a 15-year-old after his first rock concert? Maybe because I got to meet the band this time around! ^_^ As my friend James and I sat through the opening bands, I noticed Hayashi and Kayo at their merchandise stand. After much deliberation, I finally worked up the nerve to go up and say hello, and ask if they’d take their picture with me. What cool, friendly people they were! Not only did they agree, Hayashi actually puts me in between him and Kayo. How’s that for treating your fans with respect? About all I could think to do in my star-struckness was smile like a dolt and do the peace sign. As evidenced below…


But the biggest treat was meeting Fumi, their bassist. Anyone who knows me knows that I consider her my bass-playing muse. It was watching her onstage in 2005 that made me want to pick up the bass again. It was thanks to her that I wanted to try again to join a band and gig, even though I was already 32 years old. Just over a year after that show, I joined my first band. And our first show just happened to be at the same club where I first saw Fumi and Polysics. So I’ve wanted to meet Fumi ever since then, to thank her for inspiring and re-awakening my musical ambitions, and for being my bass-playing ‘sensei’.

And, oh…I have a Michigan-sized crush on her ^___^;

So imagine my delight (and high-school-boy-like nerves) when I finally saw Fumi walking around the club, and then go over to the merchandise stand. Once again, after much, much, much deliberation, I worked up the courage, went over, and reverted to my 15-year-old persona. And once again, I wasn’t disappointed. Fumi proved to be a very friendly, very warm person, and very eager to meet another of her fans. I got a chance to thank her for inspiring me. I got her autograph. I got to shake her hand. And, oh, I got our picture taken ^_____^

Sure, I stopped just short of telling her that I think she’s pretty as hell, but hey, there was no need to. Being able to meet her and the rest of Polysics was such a treat, and it went about as perfect as I could have ever imagined. There was no need to make things weird by telling her, “Duh, I think your really perty! Yuh-huh!”

I was also reminded on Sunday and Monday that I’m no longer 21 years old. I lost myself in the moment at the show, and thrashed, danced, moshed, and headbanged throughout. On Sunday and Monday, my sore body was saying, “Yeah, nice try, moron. You’re 35, and I’m going to make sure you remember that with a good dose of pain, soreness, and old-man-like ailments.” Ouch. I don’t remember hurting so much after a show. I don’t remember ever waking up in the middle of the night and feeling like my neck would snap if I so much as sneezed. Hell, it wasn’t even soreness; it was excruciating pain. Will that stop me from headbanging and moshing the next time? Of course…not ^_^

Anyway, that’s my annual “I love Polysics” gushing. While I’m at it, I just want to mention this. Um, Jaguar Love? The second band on that night? You know, your music was actually quite good. But guys, seriously, do yourselves a favor: get another singer. Their singer doesn’t sing, but rather screeches unintelligibly. Even between songs. If Donald Duck, Courtney Love, and Axel Rose had a child, and they fed this child nothing but sugar, caffeine, and crack, it’d result in Jaguar Love’s singer. I’m sorry, guys, I don’t mean to be disrespectful, but you need a singer that isn’t so damn painful!

Oh, and a special shout-out to Colleen, a wonderfully friendly woman I met at the show! Colleen, I’ll see you at the next Polysics show so we can dance and mosh once again!

Okay, let me go back to being 35 again… Going to Chicago next week to do the last bit of Inventing Vazquez related research, and to hopefully finish up the next rewrite. After that, it’s off to finding an agent. Oh boy…

Annie and Her Dirt Bike, Japanese Rockers, a Mousy Latina, and Pineapples

Leave it to me to think that finalizing a 900+ page novel and writing for two web sites and being in a blues band and managing the sales and marketing of Solstice isn’t enough to keep myself busy with. No, apparently, I thought it’d be a bright idea to also take on the task of self-recording a pseudo-album.

But there I was, taking the last week of August and the first of September to record eight original songs and two covers using my Mac’s Garageband program, my good friend Brian’s Fender strat, my Fender bass, and some really shoddy drum work (at least until I decided to let the computer’s drum tracks do it for me) to finalize my so-called album. Oh, and some really, really bad singing on my behalf. But hey, I set it out as a goal for 2008: record the songs I’d written last year, before I forgot them or gave up on them. So there I was, doing just that.

The result was a somewhat rough mix of eclectic tunes, some of them straight-out punk rock, others more indie/alternative, and two odd covers (The Bluehearts’ “Linda Linda,” and an old Spanish song entitled “Ni Tu Ni Nadie”). I consider it a first-draft album, mostly because my guitar work is sloppy, and my vocals, well, they’re just plain bad. But at least I came up with a goofy album and band name for it! The band? The Pineapple Brigade. The album title? Pineapple Diplomacy. It makes sense. Really!

Still, my hope is to some day get a band together, and recording this proto-demo was a first step toward that. While I’m in a blues band now, my long-term goal is to form a punk/pop band to play the kind of upbeat, infectious, melodic music that I just love from bands like Dirt Bike Annie, The Snow Fairies, Deerhoof, Polysics, and GO!GO!7188! And I hope to form a band with people who just want to have fun and go nuts onstage. This isn’t about shooting for fame, fortune, or the sex-drugs-and-rock-and-roll lifestyle. Certainly not at my age! ^_^ It’s about having fun, and loving the music, and occasionally putting on a crazy, energetic show at the local clubs. Because I really miss playing rock onstage, losing myself in the music, and just thrashing about like it’s no one’s business.

So sometime next week, I’ll finally be updating and setting up my MySpace page (yes, I actually have one), and uploading a few of my original songs, just for the hell of it. I hope, at some point, I can point prospective musicians toward it so they get a sense of what I like playing, and then move on from there. Because it’s so hard to find people out here in Michigan who even know who Dirt Bike Annie and GO!GO!7188! are, and I figure the best way to show them what I mean by ‘upbeat punk/pop music with a Japanese-rock flavor’ is by playing it! ^_^

Anyway, enough babbling about the Pineapple Diplomacy proto-demo.

Still plugging away with the new rewrite of Inventing Vazquez. I’m almost at the half-way point, so I’m confident that I’ll begin an agent search sometime in October or November. Recording the album really did divert a lot of time away from the book, so I’m clamping down and giving Liliana’s story the focused attention it deserves.

Still, it’s an amazingly fun and rewarding process doing this rewrite. They say that a book is always a work in progress, and working on the rewrite, I have to emphatically agree. It’s amazing how many new ideas pop out at you where you least expect them. Ideas for new jokes, quips, or more effective prose in spots you once thought were perfectly fine. I’ve stumbled into new opportunities during this rewrite, finding new spots where Liliana can demonstrate a bit more spunk and snark than her earlier draft incarnations. Although her story follows a sort of mousy-girl-finds-her-spine narrative, her actual narration was always meant to demonstrate she had a lot more brains than her early exploits suggested. Now, I think that’s finally coming out with some carefully-timed quips, sarcastic commentaries, and real-time reactions to the events unfolding before her. I guess time will tell if Liliana and I can pull it off. But I’m absolutely adoring her character, and I hope future readers will too.

Anyway, I’ll be posting my MySpace info soon, in case you want to hear some really rough punk/pop music, and some atrocious singing.

Now, I’m off to build an aircraft carrier or something.

So I get to write about something other than writing for a change! ^_^

Last night, my good friend Dan and I went to see Polysics here at the Fillmore Theater in Detroit. For those of you who don’t know Polysics, they’re essentially known as a Japanese Devo. They’re a four-piece Japanese band with a sort of surf/techno rock to them. Very quirky, very wild, but very good!

It was, unfortunately, a very short set, with Polysics having to share the stage with three other bands that, in my own humble opinion, weren’t that good. So much so, Dan and I shrugged off the second band, and then left the show two songs into the third band ^^; Polysics were tagged as the opening act, even though they probably should be headlining. But, they didn’t disappoint, even if they only played for about 30-35 minutes.

Their onstage presence was amazing. They channeled so much enthusiasm, so much energy, and so much power into their performance, it made me forget all sense of inhibition. I was jumping up and down, singing along, headbanging, and all the while not worrying that, as a 34-year-old grandpa lost amidst the gaggle of 19 year olds around me, I probably looked silly ^^; Hiro, the lead singer/guitarist, was his usual madman self, thrashing about the stage, screaming out to the audience, jumping up and down, and working magic on his guitar. No one seems to enjoy the music he plays as much as he does. Fumi, the bassist, was her usual rocking self. In fact, I consider her my sensei ^^, because I base my own bass playing style off her. Her fretwork is blinding, and her bass notes are deep and crunchy. Oh, and she’s cute as hell ^^;. So much so, I had to yell out, “Fumi-chan! I love you!” just cos I was being a total doofus at that point, and because, well, Fumi is on my List ^^;. Kayo, the keyboardist/singer, was her usual quirky self. She’s the serious one, the one who maintains a perfectly stoic demeanor throughout the performance, even when she’s jumping up and down waving pom poms or making funny little hand motions to the audience. She’s the perfect contrast and complement to Hiro’s antics.

Polysics is the reason why I wanted to play live. I was reminded of this yesterday, because the first time I saw them was in September of 2004. I remember the day well. Why? Because the day of the show was the day after I completed the first draft of Solstice! How’s that for crazy cosmic coincidences? I only found out about the show the day of, but when I did, I figured it was the perfect way to celebrate the completion of the first draft. And that show went down in my memory as the best show I’d ever seen, ever. It was a show that made me feel like a teenager again. And it was the show that really made me want to renew my pursuit of music, and renew my goal of playing in a band.

I’m grateful that it did happen, and that I did play in a band this year. More so because, believe it or not, our first gig was in that same bar where Dan and I first saw Polysics! I guess it was meant to happen. I couldn’t have scripted it better. It was an amazing experience to know that I was standing on the same stage where Polysics had been. I even went over to the spot where Fumi had stood and touched it. For good luck ^__^;

Wow, I’m babbling again… Anyway, after last night’s show, I guess I want to re-renew my musical pursuits again. My friend Brian is going to loan me some recording gear tonight, so hopefully I can start recording these songs that I’ve written. And while I don’t expect to follow the trend and one day play on the stage of the Fillmore, I do hope to hit the stage again some day, and play with the same passion and energy that Polysics plays with. They are, after all, my musical inspiration ^_^

Oh, *ahem* Solstice is now available wherever books are sold. Or you can order direct from Tragical Mirth Publishing and get an autographed copy ^^;;

P.S.: Tsubashi-san?! Four times????!!! Sugoi!!
P.S.S.: Razorsmile, I passed that message on to the artist! And you're right, I probably didn't! ^^;