Showing posts with label guitar. Show all posts
Showing posts with label guitar. Show all posts

Tuesday, January 13, 2009

New Year, New Goals, and a Little WOOHOO Thrown In

Happy 2009, everyone.

So, it’s a new year. And while I’m not one to make resolutions, I always like to re-affirm my long-term goals and strategies at the start of every year. Like last year, my only real goal was to finish Inventing Vazquez. Which I did. Kind of. I finished the third draf
t, at least.

This year, my goal will be to complete the book in earnest, and land an agent. And while I was busy thinking in December that I’d be sending out queries this month, I decided to not be so hasty. I’m working on the next round of edits right now, with the goal of not just cleaning up the writing and adding a small wrinkle or two, but of shortening the novel. Because it’s a bit too long, maybe long enough to scare off an agent.

So far, with the first five chapters I’ve edited, I’v
e succeeded in knocking off a page per chapter. So if I can do that all throughout, and there are 65 chapters, that’s at least 65 pages I’ll streamline from the final draft.

My plan, though, is to make the most efficient use of my time. Because it can take so long to hear back from an agent, I think I’ll work on getting the first half of the book done, right and proper. Once that first half is done, I’ll send out the query packages, and then get to work on the second half. The hope is that, by the time an agent (hopefully) requests to see the entire manuscript, I’ll have it ready to go. That’s the hope, anyway.

But because I don’t want to take forever, this time I’m setting a very concrete deadline: I want to have the entire novel finalized by the end of March. It’ll be tight, but doable. I think that, while setting artificial deadlines can be counterproductive, in some cases they can give you the right kind of u
rgency. And urgency is definitely something I feel right now, in terms of getting Inventing Vazquez moving from manuscript to published work. I’m very enthused and confident about this book, and I really want to get it out there. Somehow, I think it’ll have some good things to say, and I think it’ll make people laugh a lot. I hope so, anyway ^_^;

So that’s the deal with Inventing Vazquez. Its sequel, Electing Choi, is now on hold, since I’m trying to punch out at least one chapter of edits per day, but really aiming for two. Next month, I’ll also have to start working more seriously on the query letter, synopsis, and other such agent-related goodies.

So yeah, Electing Choi is going to have to wait.
One thing that won’t have to wait, though, is Liliana’s new character design ^_^ For Electing Choi, since Liliana’s character is now older, more mature, and a lot more spunky and confident, I figured she’d need a makeover from her character design from Inventing Vazquez. And so, I thought she’d need to have shorter hair, something more whimsical and playful. And my brother, ever the artist, made a chibi rendition of Liliana in her old and new incarnations:

Isn’t it adorable?! And yes, in both novels, Liliana is in a band, although she’s never the bassist (at least, I don’t think she’ll be). Like I said, this is a chibi style drawing (a Japanese Anime-style super-deformed animation), but I thought it was adorable. So, thanks, Arturo! ^_^

Speaking of bands, The Pineapple Brigade project is definitely picking up steam. The guitarist I’ve been working with (let us call him Gene for now) and I are clicking very well. So much so, we essentially laid down the foundation for an improved version of one of my songs, Frozen Summer. He’s a natural guitarist, and a very good one, and he was able to add a lead guitar track that gave the song a whole new dimension. Plus, in one of the song’s breakdowns, he improvised some backing vocal arrangements, and I was blown away at how well they worked. I was geeked, to say the absolute least.

Even more geeked about something very unexpected. I’ve always said I’m primarily a bassist. But this past practice, I took my electric guitar down to the basement, figuring I could use it to more easily show Gene the guitar notes for some of my songs. I ended up playing rhythm guitar for the entire practice. By the end of it, Gene makes a startling declaration: he thinks that, instead of playing bass in the band, I should play rhythm/lead guitar. Because what I was doing wasn’t only good enough, but it was essentially lead guitar work.

I was stunned, because while I always wanted to play guitar in a band (it’s more fun, I think, and more conducive for my onstage freestyle maniac style of play), I never thought I was good enough. A proven guitarist thinks I am. That’s good enough for me ^^;

So here I am, switching gears musically. I was planning on buying a better bass amp to start off the year, but now I’m researching new guitars, looking for one to call my own. The one I’m currently using is a loaner, a Fender strat, and I think I’ll stick with a Fender, maybe another Stratocaster, depending on what I can afford. I’m pretty excited about it.

Hopefully, Gene and I can soon find a female bassist in the Detroit area who likes punk pop, and then we’d really have the start of something very special. Because it’s part of my whole band dream thingy: to have a female musician who does backing/lead vocals, and give the band a male-female vocal dynamic. Kind of like what Kim Deal did with The Pixies, and Jeannie Lee did for Dirt Bike Annie. I think both those women added so much to those bands.


I guess, between Inventing Vazquez and The Pineapple Brigade, I have enough to keep myself busy with. Still not sure that I’ll be able to start that e-zine, but I’m not discounting the possibility yet. I still think there would be some very good benefits to doing so, especially as I ramp up my literary agent search. We’ll see, I guess.


And, oh, one last, unrelated thing. Don’t ask why, considering there was no regional sense for me rooting for them (I was born and raised in NYC) ever since I was old enough to understand football. And it made no sense that, as a kid tossing a football around, I pretended I was Neil Lomax instead of, say, Phil Simms or Richard Todd. But that’s how it worked out, and I’ve remained loyal to my team throughout all the ups and downs, but mostly downs. And every year, despite everything, I would insist, this was our year. This was the year this team surprised everyone and went all the way. And every year, I’ve had to content myself with our usual mantra of, “Wait till next year,” and look forward to Draft Day and the top pick we’d be getting that would take us to the Super Bowl next year.

Now, having said all that, please forgive this following outburst.


Ahem.

GO ARIZONA CARDINALS!!! WOOHOOO!!!! ONE MORE WIN, AND WE’RE IN THE SUPER BOWL!!! And then I can NON-facetiously say, “WOOHOO!! CARDINALS, SUPER BOWL BOUND!!! WOOO!” ^^;

I dare anyone to say I’m a bandwagon jumper. Really. Go ahead. Just try it ^_^ I’ll refer you to my friends, who regularly mocked me during fantasy football for filling my rosters with Cardinal players. Or my girlfriend, who makes fun of me for liking a team I had no regional reason for liking just because they had a cute cardinal on their helmet.

So, to the Arizona Cardinals, good luck this Sunday! No matter what happens, you’ve already made this lifelong (if incomprehensible) Cardinals fan giddy and half-insane with happiness.


GO CARDS! WOO!

Tuesday, November 11, 2008

Turning 15 Again

So I get to blog about something other than writing again. Hmmm, the last time I did so, it was to write about a Polysics show I went to here in Detroit. And now, it’s to write…about the Polysics show I went to this last Saturday ^_^

For those of you who don’t know, Polysics is a four-piece band from Tokyo, Japan who can best be described as Devo with a distinct infusion of Japanese quirkiness. Their music is catchy, wild, and all over the place, with synthesized blips and beeps complementing mad guitar riffs and crunching bass lines while the singer, Hayashi, sings about everything from peach pies on the beach to digital coffee.

Well, they played here in Detroit on Saturday, and I was reminded of why I fell in love with them in the first place. They are, simply put, the best live band I’ve ever seen. It’s inspiring to see musicians throw themselves so completely into their performance. Hayashi is a madman on stage, jumping all over the place, screaming his lungs out, playing his guitar like his life depends on it. Fumi, the bassist, jams along with grit and bounce, plucking away at her red Yamaha and seemingly loving every minute of it. Kayo, the keyboardist extraordinaire, is the stoic, quiet, comic one in the back, the one who never cracks a smile, not even as she’s jumping up and down waving pompoms at us during “Peach Pie On The Beach.” It’s an awesome ensemble of musicians playing a brand of music that’s infectious, powerful, and outright quirky.


So why am I gushing over Polysics like a 15-year-old after his first rock concert? Maybe because I got to meet the band this time around! ^_^ As my friend James and I sat through the opening bands, I noticed Hayashi and Kayo at their merchandise stand. After much deliberation, I finally worked up the nerve to go up and say hello, and ask if they’d take their picture with me. What cool, friendly people they were! Not only did they agree, Hayashi actually puts me in between him and Kayo. How’s that for treating your fans with respect? About all I could think to do in my star-struckness was smile like a dolt and do the peace sign. As evidenced below…


But the biggest treat was meeting Fumi, their bassist. Anyone who knows me knows that I consider her my bass-playing muse. It was watching her onstage in 2005 that made me want to pick up the bass again. It was thanks to her that I wanted to try again to join a band and gig, even though I was already 32 years old. Just over a year after that show, I joined my first band. And our first show just happened to be at the same club where I first saw Fumi and Polysics. So I’ve wanted to meet Fumi ever since then, to thank her for inspiring and re-awakening my musical ambitions, and for being my bass-playing ‘sensei’.

And, oh…I have a Michigan-sized crush on her ^___^;


So imagine my delight (and high-school-boy-like nerves) when I finally saw Fumi walking around the club, and then go over to the merchandise stand. Once again, after much, much, much deliberation, I worked up the courage, went over, and reverted to my 15-year-old persona. And once again, I wasn’t disappointed.
Fumi proved to be a very friendly, very warm person, and very eager to meet another of her fans. I got a chance to thank her for inspiring me. I got her autograph. I got to shake her hand. And, oh, I got our picture taken ^_____^

Sure, I stopped just short of telling her that I think she’s pretty as hell, but hey, there was no need to. Being able to meet her and the rest of Polysics was such a treat, and it went about as perfect as I could have ever imagined. There was no need to make things weird by telling her, “Duh, I think your really perty! Yuh-huh!”

I was also reminded on Sunday and Monday that I’m no longer 21 years old. I lost myself in the moment at the show, and thrashed, danced, moshed, and headbanged throughout. On Sunday and Monday, my sore body was saying, “Yeah, nice try, moron. You’re 35, and I’m going to make sure you remember that with a good dose of pain, soreness, and old-man-like ailments.” Ouch. I don’t remember hurting so much after a show. I don’t remember ever waking up in the middle of the night and feeling like my neck would snap if I so much as sneezed. Hell, it wasn’t even soreness; it was excruciating pain. Will that stop me from headbanging and moshing the next time? Of course…not ^_^

Anyway, that’s my annual “I love Polysics” gushing. While I’m at it, I just want to mention this. Um, Jaguar Love? The second band on that night? You know, your music was actually quite good. But guys, seriously, do yourselves a favor: get another singer. Their singer doesn’t sing, but rather screeches unintelligibly. Even between songs. If Donald Duck, Courtney Love, and Axel Rose had a child, and they fed this child nothing but sugar, caffeine, and crack, it’d result in Jaguar Love’s singer. I’m sorry, guys, I don’t mean to be disrespectful, but you need a singer that isn’t so damn painful!

Oh, and a special shout-out to Colleen, a wonderfully friendly woman I met at the show! Colleen, I’ll see you at the next Polysics show so we can dance and mosh once again!

Okay, let me go back to being 35 again… Going to Chicago next week to do the last bit of Inventing Vazquez related research, and to hopefully finish up the next rewrite. After that, it’s off to finding an agent. Oh boy…